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Style. Beauty. Passion. Vision.
These are just a few of the words often used to describe the films of the single most celebrated director in Italy, and one of the most important directors the world has ever known—Federico Fellini. Fifty years since their initial releases, his films of the 1960s still inspire, shock, and delight. More than just encapsulating the ’60s, these films also helped define the style of the decade. With a staggering twelve Academy Award nominations between his four feature films during this period, Fellini reached the heights of fame, film artistry, and worldwide prominence. Studied, analyzed, and re-released over the years, these films continue to amaze each new generation that discovers them. Their impeccable style makes them timeless. Their images make them unforgettable. Their passion brings them to life. And their singular vision makes them unique in all of cinema.
Fellini: The Sixties is a stunning photographic journey through the director’s most iconic classics: La Dolce Vita, 8½, Juliet of the Spirits, and Fellini Satyricon. Carefully selected imagery from the Independent Visions photographic archive, many published here for the first time, illuminate these films as they have never been seen before, and reveal fascinating details of the director’s working style and ebullient personality. With more than 150 photographs struck from original negatives, these images spring to life from the page with the depth and quality of the films themselves. Complemented with insightful essays from contemporary writers, Fellini: The Sixties is a true testament to the man and his work, a remarkable compendium of the legendary filmmaker’s greatest achievements.
About TCM:
Turner Classic Movies is the definitive resource for the greatest movies of all time. It engages, entertains, and enlightens to show how the entire spectrum of classic movies, movie history, and movie-making touches us all and influences how we think and live today.
- Sales Rank: #243689 in Books
- Published on: 2015-10-27
- Original language: English
- Number of items: 1
- Dimensions: 12.10" h x 1.40" w x 10.20" l, .0 pounds
- Binding: Hardcover
- 304 pages
Review
“Italy’s most celebrated filmmaker gets a royal salute in Fellini: the Sixties, a lavishly illustrated tribute to director Federico Fellini and his iconic, often shocking movies of that era, including La Dolce Vita, 8½ and Fellini Satyricon.”
-Parade.com
“For Federico Fellini aficionados, the lavishly illustrated new book Fellini: The Sixties is the equivalent of a mouthwatering plate of spaghetti and a glass of the best Chianti. It's a fantastic voyage into the magical world of one of cinema's greatest masters…”
-LA Times
About the Author
Manoah Bowman is a photography preservationist and editor. His photo archive of more than a million unique images details the history of cinema and Hollywood. He has contributed material to many publications, movie studios, and museums, including Eastman House, the Academy of Motion Picture Arts and Sciences, Paramount, Universal, United Artists, and Disney. His work as a photo editor includes the books "Chaplin: Genius of the Cinema" and "Buster Keaton Remembered." He resides in Los Angeles, CA.
Most helpful customer reviews
4 of 5 people found the following review helpful.
A Fellini Feast for the Eyes
By Amazon Customer
This new look at Federico Fellini is a feast for the eyes, and an insightful re-evaluation of one of pop culture’s true innovators. Though I am admittedly not a huge Fellini fan, I bought this book as a present for a friend and was blown away by the unique images and glorious colors. The essays are interesting, and perfect for those of us who are not immersed in all things Fellini—this book makes the director and his most iconic films accessible to anyone, especially younger people who were born long after the films were generating controversy. Looking at the arresting and bizarrely beautiful photos, and reading the intro by Anita Ekberg and the afterword by Barbara Steele, it’s easy to see why Fellini’s movies created a stir.
As the title implies, Fellini: The Sixties only covers the films he made in the 1960s, and I suppose for die-hards it only skims the surface of the director’s career. But the behind-the-scenes photos from the films are amazing, and speak volumes about the era. Each ‘60s movie has its own section with pictures and quotes from Fellini himself, his actors and actresses, and celebrity admirers of his work. The book is so stunning, from the elegant cover to the quality of the paper, I was tempted to rip out some of the pages to frame on my wall! When you get to the color sections of Juliet of the Spirits, Toby Dammit and Satyricon, you’ll know what I mean.
The best endorsement I can give this book is to say that it made me want to re-watch the Fellini films I have seen, and seek out those I have yet to watch. The text gives you just enough open your eyes to the strange beauty of these films, from the disillusioned socialites in La Dolce Vita (who are not so different from the jaded hipsters of today) to the tremendous impact 8½ has had on our culture to the origin of the costumes in Satyricon. Fellini: The Sixties is an inspiring tribute to the man and his films... whether you've seen all or none of them.
1 of 1 people found the following review helpful.
Lot's of Photos
By Loves the View
Although the male protagonists wear suits and the leading women have rigid hair styles and evening gowns, these films are the beginning of a freer cinema. The sophisticates create their own dialog as they are spliced in with circus and night club performers, priests, beach parades, antiquities and other random characters and settings.
These photos remind the reader how much Fellini’s films are wed to their time and place. The images stand in contrast to those of fascism which had gripped Italy for two generations not too long before. They also contrast to the casual/no style that Fellini’s US fans were evolving.
The text includes an introduction by Anita Ekberg, and quotations from Roger Ebert, Bob Dylan, Terrance Stamp and many others. Author/compiler Manoah Bowman writes on the content and technical aspects of the films. Like most coffee table books, the text is overshadowed by the photos. The photos are plentiful and give a good feel for the films on their own, as well as with the text.
I’m not sure how or if today’s young people relate to Fellini’s movies or how his oeuvre will be viewed in the future. Will future generations appreciate the leap these films make from all that had come before? Will later generations dwell on their rambling nature and the gratuitous sexuality (and sex)?
The book seems to capture this time, a mostly b&w time, of experimentation in cinema.
2 of 3 people found the following review helpful.
Lonely Dawns
By Brad Baker
"Fellini: The Sixties" by Manoah Bowman is a colossal homage to Federico Fellini. Supported by well-written text, the basis of the book is 150 glossy photographs(many full-page) struck from original negatives. Some have never been seen before. Very powerful, these images conjure up an artist who transferred his dreams, fears, memories, and passion into living motion picture magic. Magic. Today, we have Wes Anderson, but, perhaps, nothing like the Italian. "Fellini: The Sixties" focuses on one ten-year period of the genius. Here, among others, are "La Dolce Vita(1960)", his first great masterpiece, "8 1/2(1963)", a wandering fantasy about Fellini himself, who can't decide how to end the movie he is directing. Here also is "Fellini Satyricon(1969)", perhaps his finest work, a psychedelic color-fest; a crossroads of ancient venal Rome, and today's modern Eternal City. The book has a foreword by Anita Ekberg("He invented the word Paparazzi") and a comment by the lovely Barbara Steele. Roger Ebert sums it up: "I have heard theories that Fellini's "La Dolce Vita" is about the seven deadly sins, and takes place on the seven hills of Rome. But I never looked into them. That would reduce the movie to a crossword puzzle. I prefer it as an allegory, a cautionary tale of a man without a center. Fellini's
hero is a gossip columnist, Marcello, who chronicles the 'sweet life' of aristocrats, second-rate movie stars, old playboys, and women. The role was played by Marcello Mastroianni. The two Marcellos--character and actor--flowed together into a handsome, weary, desperate man, who dreams of someday doing something good, but is trapped in a life of empty nights and lonely dawns". Federico Fellini died in 1993. He's gone now. No. No I'm wrong. He'll never be gone.
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